KHREAM ARTISTIC IDENTITY
Multidisciplinary architect of experience—sculptor, filmmaker, curator, spatial storyteller.
A lifelong builder of myth, form, and human connection through immersive environments, public works, and transcultural dialogue.
For over two decades, KHREAM has operated at the intersection of fine art, social practice, and living installation—transforming cities, institutions, and communities into stages for awakening.
CORE PRACTICE
- Sculptor / Filmmaker / Performance Artist (1998–Present)
- International Gallery Owner & Curator (2000–Present)
Florence, Italy • Santurce, Puerto Rico • Chicago • Indianapolis • Michigan City • LaPorte
- Interior Architect of Atmosphere
Custom collections, staging, and spatial composition across the U.S. and Italy (2005–Present)
- Linguist & Cultural Translator (Italian) (2004–Present)
- Speaker / Documentarian / Host (2022–Present)
KHREAMS INTERNATIONAL ART STUDIOS & GALLERIES
- KHREAM (2024–Present) — Current artistic identity and evolving body of work
- LMP ARTS (2020–2024) — Transitional era of expansion and public works
- Tezzoro Design (2017–2020) — Design, sculpture, and experiential environments
- Earth Angel Eco Art Studios (2012–2016) — Sustainability-driven art practice
- Estudio Paradiso (Puerto Rico, 2000–2004) — Early experimental gallery space
- Galleria Società 180 (Florence, 1998–2005) — Founder, curator, and professor of international studies
Featured International Exhibition
“Tutte Madonne, Il Circo della Vita”
Società 180 Galleria, Florence, Italy
March 7 – June 7, 2026
A mythopoetic convergence of sculpture and fresco—curated by Luciano & Antonio Pezzano
Active Projects
- KHREAM International Exhibition: IL CIRCO DELLA VITA (Italy, 2026)
- KHREAM & LMP ARTS Gallery Studio — LaPorte, IN (2025–Present)
- Motivational Speaker & Creative Consultant — Stepping Stone Shelter (2023–Present)
- Ongoing documented exhibitions and performances across digital and physical platforms
PUBLIC ART & LARGE-SCALE WORKS
- Nine monumental murals, Michigan City High School (2022)
- Phoenix Rising Sculptures — Chicago Magnificent Mile (Ritz Carlton landscape installations)
- Unity Park Plaza 618 — 10–14 ft Phoenix Sculpture, LaPorte, IN
- Dream Bird Installation — Riley Children’s Hospital, Indianapolis (permanent)
- Interactive Public Sculpture Programs across schools and institutions
SELECTED EXHIBITIONS & PERFORMANCES
- CASA ITALIA, Chicago — Il Circo Solo Exhibition
- Talltree Arboretum — Phoenix Rising Exhibition
- Lubeznik Center for the Arts — Multiple exhibitions, grants, and live builds
- Blurred Lines, Santurce, Puerto Rico — Sold-out curated exhibition
- Nabukko Galleria, Florence — Painting & fresco exhibitions
- Chicago Union Station Performance — Live sculptural activation
EDUCATION, TEACHING & CULTURAL WORK
KHREAM’s pedagogy merges embodiment, imagination, and collective creation.
Institutions & Programs:
- El Museo del Arte, Santurce, Puerto Rico
- Lubeznik Center for the Arts (Grant Recipient, 6x)
- Boys & Girls Club, Michigan City
- Multiple public school systems (2012–Present)
HONORS & RECOGNITION
- Five-Time R.O.S.E. Award Winner
(Recognition of Service Excellence, LaPorte County)
- “Lemonade Award” — Resilience after total studio loss (2013)
- Widely recognized for transforming LaPorte County into a cultural epicenter through immersive art events
PRESS & MEDIA
Featured in:
- Chicago Tribune
- The News Dispatch
- Post-Tribune
- Lakelife Magazine
Coverage highlights include public sculpture, environmental art, and community transformation initiatives.
MENTORSHIPS & FORMATION
- Bernard Fitzgerald Williams (2024–2025)
- Thomas Scarff (2014–2024)
- Lorenzo Pezzatini (Florence, 1998–2005)
- Paul Beel (Florence, 2004–2005)
- Celso Gonzales (Puerto Rico, 2001–2004)
FORMAL EDUCATION
- School of the Art Institute of Chicago
- Columbia College Chicago
- Studio Art Centers International (SACI), Florence
Advanced Painting, Fresco, and Italian Language
KHREAM constructs living mythologies—where sculpture breathes, architecture listens, and community becomes medium.
Her work does not exist to be observed—it exists to be entered.